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Sunday, March 4, 2012

20 Most Inspirational E-Commerce Website Designs

Foot Locker

E-commerce websites are the revolution in the business sector that has significantly changed the way a business runs. Now a day almost every kind of product is being sold via online and there is a huge competition between companies in e-commerce industry. Well-designed e-commerce web sites can be excellent sources of design inspiration and also provide a more enjoyable user experience.
Designing Modern e-commerce websites can be more challenging task for web designers. In this post we are showcasing 20 well-designed and user friendly e-commerce websites. Hopefully these striking and salient web designs help you stand out in the crowd.

Sassy Duck
Sassy Duck

Guy Vernes
Guy Vernes

Sexy Sexy Lingerie
Sexy Sexy Lingerie

Foot Locker
Foot Locker

Heart Breaker Fashion
Heart Breaker Fashion

Make It Bead
Make It Bead

Yogi Products
Yogi Products

Crescendo
Crescendo

Anthropologies
Anthropologies

Custom Printed Bags
Custom Printed Bags

Graham and Green
Graham and Green

Woman With IN
Woman With IN

Timberland
Timberland

Dreamworld Shop
Dreamworld Shop

Hungarian Wine Society
Hungarian Wine Society

Kurt Geiger
Kurt Geiger

Lets Buy
Lets Buy

Shopillyissimo
Shopillyissimo

Nineteen47
Nineteen47

Just Eye Wear
Just Eye Wear

Saturday, March 3, 2012

Anchor Points: Sharon Milne





I’m sure most of you know Sharon’s work from some of Vectips’ Inspirational posts, a bunch of tutorials and articles on Vector.Tutsplus.com, her volunteer work over at deviantArt, or her tutorials on Inside Adobe Illustrator. She does some pretty amazing work with Adobe Illustrator so peruse the chat a learn a little more about her!

The Chat

Hey Sharon, thanks for chatting with Vectips! To start, could you tell us a little about yourself?

Hiya! My name is Sharon, most people call me Shar and I often go under the monika ChewedKandi. I’m a Freelance Vector Artist/Illustrator and write tutorials and articles all about vector… it’s addictive stuff! I’m also currently a Community Volunteer over on deviantART, formerly look over the vector galleries, at present in a mentor capacity. I live in Great Britain, in the awesome city of Newcastle Upon Tyne, with my partner Paul, two cats Sameria and Harley Quinn and dog Shelley.
When I’m not vectoring, I’m either gaming, watching cheesey TV shows, listening to music or enjoying the company of my family.

If you could magically turn into a Illustrator tool, what tool would it be and why?

So many tools, so many possibilities! I think it would be the Live Paint Bucket, because it’s a quick and effective way to fill areas with colour – reminds me of the Paint Bucket in MS Paint, so still true to her roots. Speaking of roots, the Live Paint Bucket would certainly come in handy with my constant change of hair colour!

What’s your favorite Illustrator technique?

If it can be done with an art/scatter/pattern brush, I’ll be doing that… I love techniques which involve brushes. Brushes have so much versitility! I’m always discovering more and more I can do with them. I’ve recently finished a series of articles and tutorials (the first is online now!) for Adobe’s blog: Inside Adobe Illustrator. The second, which is due online soon, encorporates something which surprised me… I pushed what I thought was impossible with an art brush. I can’t say much, but let’s say it’s influenced by one of my own cats, Harley. I can’t wait for it to go online!

Do you use any non-digital tools in your work?

In all honesty, not really… I almost feel ashamed for this because I know so many of my peers who start work with sketches, scan in their work and go from there. The nearest thing I get to working “non-digital” is writing a concept with ideas on a piece of paper and saving it for later.
A lot of my sketches that I do do are in Photoshop or Illustrator and I work from there. More than likely playing on stock images and manipulating them as I go along.

What are your favorite sources of inspiration?

A lot of my portrait work I do is inspired by Drag Queens. I’m a major fan of Drag Queens and their over the top make up, hair and personas. They exaggerate trends and fashions which translate well into illustration.
For my animal vectors, the majority of the times it’s how my own pets behave. I’m a big animal lover, so I tend to imagine silly conversations they have with each other or what their bizarre looks are saying… I know it sounds strange, but I think any pet owner will appreciate this frame of mind. Every animal has it’s own personality and it’s just a matter of putting down on an art board!

Thanks again for the interview! Any parting words of wisdom?

No thank you for the honour Ryan, I love VecTips! Parting words of wisdom: Every new project, don’t be afraid to push yourself, experiment and explore yourself/work/software and when doing so, don’t be afraid to make mistakes and start over!

Learn More About Sharon Milne

Adobe Leo

Adobe Leo

Crying

Crying

Stevie

Stevie

Shouldn’t Have

Shouldn't Have

Nom

Nom

Marilyn

Marilyn

Bleach

Bleach

Tutti

Tutti

Murder

Murder

Father

Father


Friday, March 2, 2012

20 Mind Blowing Sexy Print Media Advertisements

Schweppes: Uma, Lemon

We are surrounded by advertisements in our daily lives. To make an advert which gets quick attention of every passion person is a very difficult task. If your adverts don’t express the message what it is for, then it’s useless. So we have accumulated a nice list of 20 Sexy Print Media Adverts to blow your mind. Let’s have a look and give us feedback and stay with us for our further posts…

Alt for damene: Little Black Dress
Alt for damene: Little Black Dress

Bianco Footwear: Please stop global warming
Bianco Footwear: Please stop global warming

Midwest Trader: Mechanic
Midwest Trader: Mechanic

Morphy Richards Epilators: Girl in a saree
Morphy Richards Epilators: Girl in a saree

Victoria’s Secret: Candice
Victoria’s Secret: Candice

IndyAct: Fox
IndyAct: Fox

Viktor Rydberg High School: Cabaret
Viktor Rydberg High School: Cabaret

Schweppes: Uma, Tonic
Schweppes: Uma, Tonic

New York Fries: Fake
New York Fries: Fake

Mineirinho Zero: Surfers
Mineirinho Zero: Surfers

Catwalk: Autumn/Winter
Catwalk: Autumn/Winter

Clairol: House arrest
Clairol: House arrest

Midwest Trader: Hunter
Midwest Trader: Hunter

Axe Shower Gel: Milk shake
Axe Shower Gel: Milk shake

Bozzano Foot Deodorant: Escape
Bozzano Foot Deodorant: Escape

Orangina: Lilac
Orangina: Lilac

Playboy: Hot teacher
Playboy: Hot teacher

Honda: Masseur
Honda: Masseur

Tervolina Shoes & Accessories: Inconvenient
Tervolina Shoes & Accessories: Inconvenient

Thursday, March 1, 2012

TypeTalk: The Anatomy of a Character

You've known the names of letters and numbers since you were a little kid. But did you realize that every part of those characters have names, too? Knowing this terminology will help you better understand typefaces and communicate about design.
Written by Ilene Strizve

TypeTalk is a regular blog on typography. Post your questions and comments by clicking on the Comments icon above.

Q. Why should I care what the names are for parts of a character? Does it really matter?

A. Knowing the terminology for the anatomy of a character might seem like a painful exercise in memorization, but it's actually useful knowledge for any design professional. Not only does it make it easier to communicate about typefaces and their characteristics, but it also serves to educate your eye to recognize the underlying structure of typeface designs, as well as the differences between them.
I’ve prioritized the following terms into three groups based on what, in my experience, are the most useful to know, and most frequently used, in everyday design work.



ESSENTIAL

Ascender: The part of a lowercase character (b, d, f, h, k, l, t) that extends above the height of the lowercase x.
Baseline: The invisible line on which the flat part of characters sit.
Bowl: A curved stroke that creates an enclosed space within a character (which is then called a counter).
Cap height: The height of capital letters from the baseline to the top of caps, most accurately measured on a character with a flat top and bottom (E, H, I, etc.).
Counter: The partially or fully enclosed space within a character.
Descender: The part of a character (g, j, p, q, y, and sometimes J) that descends below the baseline.
Serif: The projections extending off the main strokes of the characters of serif typefaces.
x-height: The height of lowercase letters usually based on the lowercase x, not including ascenders and descenders.
USEFUL
Arm: An upper horizontal or diagonal stroke that is attached on one end and free on the other.
Axis: The angle of the stress of the round part of a character.
Bar: The horizontal stroke in characters such as A, H, R, e, or f.
Leg: A lower horizontal or diagonal stroke that is attached on one end and free on the other.
Loop: The lower portion of the lowercase g.
Shoulder: The curved stroke of the h, m, or n.
Spine: The main curved stroke of the S.
Stem: A straight vertical stroke or main straight diagonal stroke in a letter that has no verticals.
Stress: The direction of thickening in a curved stroke.
Stroke: A straight or curved line.
Swash: A decorative flourish replacing a terminal or serif.
Terminal (or Finial): The end of a stroke not terminated with a serif.
IMPRESSIVE
Ear: The small stroke that projects from the top of the lowercase g.
Link: The stroke that connects the top and bottom part (bowl and link) of a two-storey lowercase g.
Spur: A small projection off a main stroke, found on many capital Gs.
Tail: The descender of a Q or short diagonal stroke of an R.